Go to the Glossary to learn more about each of these related texture terms:

• Blind Embossing
• Debossing
• Embossing
• Foil Embossing
• Foil Stamping
• Ink Embossing
• Varnish

Embossing and foil stamping can add both visual interest and can alter the overall texture of a piece. Here is a description of an example of using varnish to create texture:

Sticky Design: This business folder makes sure you won't want to put it down unread: "The most cleverly used part of the design, in my opinion, is the subtle spot varnishing. The folder is made from heavy grade card, with a rather dull matte finish, which feels smooth but has a finely mottled texture, and in contrast, the spot varnishing that has been applied to various elements of the folder feels slightly 'sticky' to the touch." — R011020

Often confused, engraving and thermography are two different printing processes. Engraving is not widely used today but can be found in some fine letterhead and wedding invitations. Both create raised printing that gives text and even images a 3D effect.

Explore the links on these two pages to learn more about these two raised printing techniques — how each effect is achieved and typical uses: Engraving and Thermography.

Hands-On Exercise
Look at brochures, books, ads, business cards, and other print projects and try to find several examples of texture as follows:

• Embossing, debossing, or foil stamping

• Engraving or thermography

• Varnish

Examine these pieces and mentally answer these questions: Is this the primary use of texture or are there other significant textures (actual or visual) in the piece as well? Is the use of this texture appropriate to the purpose or theme of the piece? Does the texture interfere with the readability of the text?

Next > Texture Self-Test Assignment